Shogun 7 can be used as either stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem.
Shogun 7's portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline.
Main features:
- 1500nit display incorporating zone technology with 1,000,000:1 contrast ratio and 15+ stops of dynamic range.
- Real-time 4K recording in formats including ProRes RAW.
- New realtime Dolby Vision HDR output.
- New Dynamic AtomHDR blacklight system.
- Portable Multi-cam up to HDp60 SDI ISOs x 4 recording. Real-time switching between 4 live asynchronous video streams.
- Capture RAW from your favorite cinema camera.
- AtomOS 10 touchscreen interface, first seen on the award winning Ninja V and redesigned body.
Weight
· Without batteries & media: 709g/25ox.
· Dimensions ( W x H x D mm): 214 x 127 45mm
· Construction: Polycarbonate ABS
· Mounting points: 1/4”-20 screw mount. 1x top and 1x bottom
Power
· Operating power : 10- 33W
· Compatible batteries: Atomos NP-F series and supporting accessories
· Input voltage (battery): 6.2V to 16.8V
· Battery time (based on 2 x 7.4V): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
· DC In: 1 x DC in (6.2 - 16.8V)
Touchscreen
· Size: 7.2"
· Resolution: 1920 x 1280
· PPI: 325
· Aspect ratio: 19:9 native
· Color Gamut:Up to Wide color gamut (105% DCI-P3)
· Look up table (LUT) support: 3D LUT (.cube format)
· Anamorphic de-squeeze:2x, 1.5x, 1.33x
· Technology: Dynamic AtomHDR zoned backlight IPS LCD
Dynamic AtomHDR Technology
· Backlight: Direct LED
· Zones: 360 direct backlight individual LEDs
· LEDs: Wide Color Calibrated D65 or D95
· Bit depth: 10-bit (8+2 FRC)
· Color: DCI-P3 105%
· Brightness: 1500nit (+/- 10%)
· Control: On the fly real-time brightness analysis for LED control
· HDR Conversion: Log/RAW to HLG or PQ
HDR Monitoring Technology
· Gamma : Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG
· Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /
Video input/loop out
· HDMI: HDMI 1 x HDMI (2.0)
· SDI: Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
· Signal: Uncompressed true 10-bit or 8-bit 422
· (camera dependent)
· Genlock: Genlock input signal and output signal
Video output (play out)
· HDMI: 1 x HDMI (2.0)
· SDI: 2x 4K-SDI 12G or HD-SDI 3G/6G
· Signal: Uncompressed true 10-bit or 8-bit 422
· (playback file dependent)
Video signal conversion
· HDMI to SDI
· SDI to HDMI
Audio in/out (48kHz PCM audio)
· HDMI: 2 or 8ch 24-bit, camera dependent
· SDI: 12ch 48kHz 24-bit
· Audio: 2ch balanced XLR analogue in/out
· Dynamic range >90dB
· Max signal level +24dBu
· Max analogue gain +52dB
· 48V Phantom Power for Mic
· Headphone out: 3.5mm 2ch.
Supported Codecs & frame rates (record & playback)
· Raw to: ProRes RAW
· ProRes
· CinemaDNG
· (CDNG up to 30p only)
· Avid DNxHD
· Sony^^ FS700, FS-5, FS-7, FS-7MkII:
· 4K DCI; 24/25/30/50/60p
· 4K UHD; not supported in camera
· 2K; 24/25/30/50/60/100/120/200/240p
· 1080; not supported in camera
· Canon C300MKII/C500 CDNG
· 4K DCI; 24/25/30p
· 4K UHD; 24/25/30p
· 2K; not supported in camera
· 1080; not supported in camera
· Panasonic VaricamLT, EVA1
· 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
· 4K DCI; 24/25/30/50/60p
· 4K UHD; 24/25/30/50/60p
· 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
· Supported base resolution & FPS from cameras:
· 4K DCI: 23.98/29.9/59.94p
· 4K UHD: 23.98/29.9/59.94p
· 2K DCI: 23.98/29.9/59.94p
· 1080p: 23.98/29.9/59.94p
· Supported FPS & resolution from gaming consoles and graphic cards: 1080p; 24/25/30/50/60/100/120
Onboard processing
· Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
· 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RA
Remote start/stop
· HDMI: Auto HDMI Trigger. Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
· SDI: SDI trigger camera selectable
· Other: LANC control - Slave
Playback
· Playlist / Genlock / LTC : Yes / Yes / Yes
· CDNG (Recorded content) : No support
· ProRes (Recorded content): ProRes (Recorded content)
· DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps.
Recording
· Pre-roll record: Yes (HD 8s, 4K 2s).
· Custom timelapse: Yes*
· Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
· Master caddy case: Master Caddy II (included)
· 75mm x 105mm x 12mm
· Master caddy dock: 2.5” SATA to USB 2.0/3.0
· Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
All specifications correct when published, subject to E&OE.
· 24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
· *Available in future firmware updates
· ^^ Optional unit (XDCA-FS7) needed for Raw output.”
